Fun John Wyndham

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John Wyndham Parkes Lucas Beynon Harris (/ˈwɪndəm/; 10 July 1903 – 11 March 1969) was an English science fiction writer best known for his works written using the pen name John Wyndham, although he also used other combinations of his names, such as John Beynon and Lucas Parkes.

Some of his works were set in post-apocalyptic landscapes.

His best known works include The Day of the Triffids (1951) and The Midwich Cuckoos (1957), the latter filmed twice as Village of the Damned.


Early novels published under other pen names
Novels published in his lifetime as by John Wyndham
Posthumously published novels[edit]


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Critical reception
John Wyndham's reputation rests mainly on the first four of the novels published in his lifetime under that name.[a] The Day of the Triffids remains his best-known work, but some readers consider that The Chrysalids was really his best.

He also wrote several short stories, ranging from hard science fiction to whimsical fantasy. A few have been filmed: Consider Her Ways, Random Quest, Dumb Martian, A Long Spoon, Jizzle (filmed as Maria) and Time to Rest (filmed as No Place Like Earth). There is also a radio version of Survival.

Most of Wyndham's novels are set in the 1950s among middle-class English people. Brian Aldiss, another British science fiction writer, disparagingly labelled some of them "cosy catastrophes", especially The Day of the Triffids,[12] but the critic L.J. Hurst pointed out that in Triffids the main character witnesses several murders, suicides and misadventures, and is frequently in mortal danger himself.



 
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The Day of the Triffids is a 1951 post-apocalyptic novel by the English science fiction author John Wyndham. After most people in the world are blinded by a meteor shower, an aggressive species of plant starts killing people. Although Wyndham had already published other novels using other pen name combinations drawn from his real name, this was the first novel published as "John Wyndham". It established him as an important writer and remains his best-known novel.

Influences
Wyndham frequently acknowledged the influence of H. G. Wells' The War of the Worlds (1897) on The Day of the Triffids.

In regard to the triffids' creation, some editions of the novel make brief mention of the theories of the Soviet agronomist and would-be biologist Trofim Lysenko, who eventually was thoroughly debunked. "In the days when information was still exchanged Russia had reported some successes. Later, however, a cleavage of methods and views had caused biology there, under a man called Lysenko, to take a different course" (Chapter 2). Lysenkoism at the time of the novel's creation was still being defended by some prominent international Stalinists.


Cultural impact

According to director Danny Boyle, the opening hospital sequence of The Day of the Triffids inspired Alex Garland to write the screenplay for 28 Days Later (2002).

The short story "How to Make a Triffid" by Kelly Lagor includes discussions of the possible genetic pathways that could be manipulated to engineer the triffids from Wyndham's story.[10]

Adaptations

Film adaptations
  • London-based film producers Albert R. Broccoli and Irving Allen purchased the film rights and in 1956 hired Jimmy Sangster to write the script. Sangster believed that Wyndham was one of the best science fiction novelists writing at the time and felt both honoured and "a little bit intimidated" that he was about to "start messing" with Wyndham's novel. Sangster claims he was paid for his work but never heard from the producers, and the film was not made. He later said that he did not think his script was good.
  • In September 2010, Variety announced that a 3D film version was being planned by producers Don Murphy and Michael Preger.

Print adaptations

Radio adaptations
  • There were readings of the novel in 1953 (BBC Home Service – 15 x 15 minutes, read by Frank Duncan)
  • Giles Cooper adapted the novel in six 30-minute episodes for the BBC Light Programme, first broadcast between 2 October and 6 November 1957. It was produced by Peter Watts.
  • It was adapted in Germany in 1968 by Westdeutscher Rundfunk (WDR) Köln (Cologne), translated by Hein Bruehl, and most recently re-broadcast as a four episode series on WDR5 in January 2008.
  • It was adapted in Norway in 1969 by Norsk Rikskringkasting (NRK), translated by Knut Johansen, and most recently re-broadcast as a six episode series on NRK in September and October 2012. The Norwegian version is also available on CD and iTunes.
  • A 20-minute extract for schools was first broadcast on BBC Radio 4 on 21 September 1973, adapted and produced by Peter Fozzard.
  • There were readings of the novel in 1980 (BBC Radio 4/Woman's Hour – 14 x 15 minutes, read by David Ashford
  • There were readings of the novel in 2004 (BBC7 – 17 x 30 minutes, read by Roger May)
Television adaptations
  • In December 2009, the BBC broadcast a new version of the story, written by ER and Law & Order writer Patrick Harbinson. It stars Dougray Scott as Bill Masen, Joely Richardson as Jo Playton, Brian Cox as Dennis Masen, Vanessa Redgrave as Durrant, Eddie Izzard as Torrence, and Jason Priestley as Coker. In this version the Triffids originally evolved in Zaire, and their oil is used as an alternative fuel, averting global warming. The elements of repopulating the Earth and the plague were overlooked in this adaptation; another difference in the plot was that the Earth was blinded by a solar flare rather than a meteor shower.
Sequel

Simon Clark wrote a sequel, The Night of the Triffids (2001), set 25 years after Wyndham's book. Big Finish Productions adapted it as an audio play in 2014





 
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The Kraken Wakes
is an apocalyptic science fiction novel by John Wyndham, originally published by Michael Joseph in the United Kingdom in 1953, and first published in the United States in the same year by Ballantine Books under the title Out of the Deeps as a mass market paperback. The title is a reference to Alfred Tennyson's sonnet The Kraken.


Plot

The novel describes escalating phases of what appears to be an invasion of Earth by aliens, as told through the eyes of Mike Watson, who works for the English Broadcasting Company (EBC) with his wife and co-reporter Phyllis. A major role is also played by Professor Alastair Bocker – more clear-minded and far-sighted about the developing crisis than everybody else, but with the habit of telling brutally unvarnished and unwanted truths.

Mike and Phyllis are witness to several major events of the invasion, which proceeds in a series of drawn-out phases; it in fact takes years before the bulk of humanity even realise that their world has been invaded.

In the first phase, objects from outer space land in the oceans. Mike and Phyllis happen to see five of the "fireballs" falling into the sea, from the ship where they are sailing on their honeymoon. Eventually the distribution of the objects' landing points – always at ocean depths, never on land – implies intelligence.

The aliens are speculated to come from a gas giant, and thus can only survive under conditions of extreme pressures in which humans would be instantly crushed. The deepest parts of the oceans are the only parts of Earth in any way useful to them, and they presumably have no need or use for the dry land or even the shallower parts of the seas. Bocker puts forward the theory that the two species could co-exist indefinitely, hardly noticing each other's presence.

Humanity nevertheless feels threatened by this new phenomenon – particularly since the newcomers show signs of intensive work to adapt the ocean deeps to their needs. A British bathysphere is sent down to investigate, and is destroyed by the aliens with the loss of two lives. The British government responds by exploding a nuclear device in the same location.

Unfortunately for the humans, the aliens' technology proves formidable; an American attack ends in disaster. Moreover, humanity is not united in the face of the mounting threat – the Cold War between West and East is well under way, with the two sides often suspiciously attributing the effects of the alien attacks to their human opponents, or refusing to co-operate because of their different political ideals.

Phase two of the war starts when ships all over the globe begin to be attacked by unknown weapons and are rapidly sunk, causing havoc to the world economy. Shortly after, the aliens also start "harvesting" the land by sending up biological "sea tanks", which capture humans from coastal settlements, for reasons that are never made clear; the Watsons witness one of these assaults on a Caribbean island. These attacks are eventually met with sufficiently strong retaliation from humanity that they become far less frequent.

And so, in the final phase, the aliens begin melting the polar ice caps, causing sea levels to rise. London and other ports are flooded (the government relocates to Harrogate), causing widespread social and political collapse. The Watsons cover the continuing story for the EBC until the radio (and organised social and political life in general) ceases to exist, whereupon they can only try to survive and escape a flooded London, relocating to a Cornwall holiday cottage which due to the floods now exists on an island in its own right. Other coastal countries are also disastrously affected - there is a reference to masses of Dutch refugees fleeing into Germany, having "lost their centuries-long war with the sea".

Ultimately, scientists in Japan develop an underwater ultrasonic weapon that kills the aliens. However, the global population has been reduced to between a fifth and an eighth of its pre-invasion level, and the world's climate has been changed permanently.

Plot narrative

Up to the end, humans have no clear idea what their opponents looked like. The most they have is some protoplasm which floated to the surface of the sea after the ultrasonic weapon was used.

As stated in the book by the protagonist, the book aims to demonstrate that an alien invasion of Earth could take a very different form from that in The War of The Worlds; publication of the book coincided with the release of 1953 film The War of the Worlds, an adaptation of H. G. Wells' classic work which was both a critical and box office success.

Plot differences

Depending on the book's printed origin there are several changes to the plot:

  • In the US edition almost an entire chapter on how the Watsons gained possession of The Midge yacht, and their aborted attempt to use a dinghy to get to Cornwall is cut, instead simply stating that Freddie Whittier "found it" one day.
  • In the US epilogue, the Watsons are tracked down by Bocker via helicopter and he explains a great deal of what has happened to the world while Mike and Phyllis have been isolated - even describing the Japanese ultrasonic device in some detail. In the UK edition they are instead approached by a neighbour in a rowing boat, who gives them only a brief overview of what has happened in the world - excluding much of the detail and just mentioning that the Japanese have developed an ultrasonic device. He tells them that their names have been broadcast on radio, and that a "Council For Reconstruction" has been formed.
  • The UK edition is less bleak than the US version, implying that humanity has already begun to rebuild, and that civilisation survives - albeit at a lesser level than before.
  • There are several changes for a US audience in terms of language and phraseology.



Radio adaptations


The novel was adapted by John Keir Cross as a single 90-minute drama for the BBC Home Service, first broadcast on 28 April 1954. It was produced by Peter Watts. An adaptation by John Constable as a single 90-minute drama for BBC Radio 4 was first broadcast on 21 February 1998. It was produced by Susan Roberts, with music by Paul Gargill. This version was released on CD by BBC Audiobooks in 2007.

A 1965 radio adaption was recorded in Vancouver by the Canadian Broadcasting Corporation, starring Sam Paine, Shirley Broderick, Michael Irwin and Derek Walston.

BBC Radio 7 presented an unabridged reading by Stephen Moore of the novel in sixteen 30-minute episodes, produced by Susan Carson, and broadcast daily between 12 March and 2 April 2004.

On 28 May 2016 BBC Radio 4 broadcast an adaptation by Val McDermid set in the present day, and with some of the action moved from Harrogate to Birmingham, and from Cornwall to Scotland. It starred Paul Higgins as Michael and Tamsin Greig as Phyllis, and featured an appearance by Scotland's First Minister Nicola Sturgeon as herself and was recorded with live accompaniment by the BBC Philharmonic orchestra.
 
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The Night of the Triffids is a science fiction novel by British writer Simon Clark, published in 2001. It is a sequel to John Wyndham's The Day of the Triffids. Clark has been commended for his success at mimicking Wyndham's style, but most reviewers have not rated his creation as highly as the original 1951 work. Clark's book is written in the first person and narrated by David Masen, the son of Wyndham's protagonist.


Plot summary

The story begins on the Isle of Wight, 25 years after the events from The Day of the Triffids. The community there has thrived, primarily by refining triffid oil into fuel.

One morning, a solar blackout occurs and triffids once again besiege the island. Pilot David Masen (son of Bill and Josella Masen from The Day of the Triffids) takes to the skies to investigate the cause of the blackout; however, even after taking his plane into the atmosphere as high as it can go, he finds that there is no end to the absolute darkness.

On David's descent, he loses communication with the control tower and is forced to make a crash-landing on a floating island populated by triffids. There, he meets an orphaned young girl, Christina, who has been surviving on her own in the wild since she was a young child, primarily because she is immune to triffid stings. The pair are rescued by an American ship that takes them to Manhattan Island in New York City.

Manhattan, a secure and self-contained community like the one on the Isle of Wight, appears at first glance to be a utopia seemingly untouched by the triffid catastrophe. David quickly falls in love with his tour guide, Kerris Baedekker, who is one of the hundreds of daughters of General Fielding, the primary ruler of the city. David divulges to General Fielding that the Isle of Wight has a considerable fleet of aircraft, which, using triffid oil for fuel, can fly much farther than the Manhattan fleet that runs on wood alcohol.

Just before David is set to return home to the Isle of Wight, he is kidnapped by a rebel group known as the Forresters. However, David ends up siding with them when they reveal that Fielding is actually a terrible dictator named Torrence, an old enemy of David's father, and that he keeps Manhattan prosperous by using the black and blind citizens as slaves, unbeknownst to the rest of the population. The Forresters further reveal that Torrence is planning to attack the Isle of Wight in order to steal their triffid oil refining machinery, and that he intends to create a race of soldiers immune to triffid poison by harvesting Christina's ovaries and implanting them into all the viable women in Manhattan.

In order to rescue Christina and Kerris from Torrence's headquarters in the Empire State Building, the Forresters unleash thousands of triffids into the city, some as gigantic as sixty feet tall. Unfortunately, Torrence and his guards manage to fend off the attacks and capture David and his group. However, Torrence is defeated when thousands of slaves arrive, released from their slave camps during the triffid attack, and convince the soldiers to turn on the dictator.

At the end of the story, it is revealed that the great blackout was caused by interstellar dust, and that even though it continues to wreak havoc on the global climate, people everywhere are still surviving. It is also revealed that up to 25 percent of the population is immune to triffid stings, due to repeated exposure to small amounts of the plant's poison when consuming triffids for food.

Literary significance and criticism

Comments on The Night of the Triffids include:

"Clark scores fairly high in pastiching Wyndham's style, at least."[1]
"Wyndham did hit notes of poetry and grim beauty more often than Clark does"[1]
"Overall, The Night of the Triffids is a fine work of fiction that will keep any sci-fi/horror fan happy"[2]
"It fails, however, in its main aim, that of supplying a worthy follow-up to one of the classics of British science fiction."

Awards

The Night of the Triffids won the British Fantasy Award in 2002.[4]

Adaptations

On June 19, 2014 Big Finish Productions announced an audio drama adaptation of The Night of the Triffids, released in September 2014.

Big Finish's production has been picked up by the BBC and first broadcast on their Radio 4 Extra station June 29, 2016.
 

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Chocky


1st edition
Author John Wyndham
Country United Kingdom
Language English
Genre Science fiction
Publisher Michael Joseph
Publication date
1968
Media type Print (Hardback & Paperback)
ISBN 0-7451-0059-7
OCLC 11366251
Preceded by Trouble with Lichen

Chocky is a science fiction novel by British writer John Wyndham. It was first published as a novelette in the March 1963 issue of Amazing Stories[1] and later developed into a novel in 1968, published by Michael Joseph.[2] The BBC produced a radio adaption by John Tydeman in 1967. In 1984 a children's television drama based on the novel was shown on ITV in the United Kingdom.


Plot summary
David Gore becomes rather concerned that his son of twelve, Matthew, is a bit old to have an imaginary friend. His concerns deepen as his son becomes increasingly distressed and blames it on arguments with this unseen companion, which he calls "Chocky". As the story unfolds, it becomes clear that the friend is far from imaginary, but is an alien consciousness communicating with Matthew's mind—a fact that is of intense interest to shadowy government forces. "Chocky" reveals that it is a scout sent from its home planet (where there is only one sex) in search of new planets to colonise, or to provide subtle guidance to newly-emerging intelligent life. "Chocky", talking "through" Matthew, explains to David that in becoming overly attached to Matthew and saving him and his sister from a recent accident, it has violated the rules of its scout mission (interfering with events on Earth) and must end its link with him completely. Its further work on Earth will be conducted in a much more covert manner.

Adaptations

Radio

The novel was adapted and produced by John Tydeman as a single 60 minute drama for the BBC Radio 2, and first broadcast on 27 November 1968. The cast includes:

BBC Radio 4 presented a reading by Andrew Burt of the novel in seven 15-minute episodes, abridged by Neville Teller, produced by David Johnson, and broadcast daily between 19 and 27 May 1975.

An adaptation by John Constable as a single 90-minute drama for BBC Radio 4, directed by Melanie Harris, was first broadcast on 18 March 1998. Music was by Paul Gargill, and the cast includes:

This version was released on CD by BBC Audiobooks in 2008, and has been repeated on BBC Radio 7 and BBC Radio 4 Extra several times since November 2007.[3]

Television series

Main article: Chocky (TV series)
The 1984 children's TV series' Chocky, Chocky's Children and Chocky's Challenge, were based on the 1968 novel. They were written by Anthony Read and produced by Thames Television. The main character Matthew was played by Andrew Ellams and Glynis Brooks played the haunting voice of Chocky.


Proposed film[edit]
Steven Spielberg acquired film rights in September 2008, and declared he was interested in directing.[4]
 

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Modern Writers | Interviews with remarkable authors Tonight | John Wyndham John Wyndham discusses the nature of evil in his novels. CHANNEL | BBC Television Service FIRST BROADCAST | 06 September 1960 SYNOPSIS In this extract from a longer programme, Derek Hart speaks to novelist John Wyndham, whose science fiction novels include 'The Kraken Wakes' and 'The Day of the Triffids'. As his latest novel, 'Trouble with Lichen', reaches bookshops across the country, the author is quizzed about the limits of evil as represented in his books, and how the attitude of British readers towards science fiction differs from that of their US counterparts. DID YOU KNOW? John Wyndham was one of a number of British authors discussed in 1960 report into Science Fiction in BBC Drama. The document, which described Wyndham as 'the best practitioner' of British science fiction, led to the creation of the TV serial 'Doctor Who'. The producer of this programme, Donald Baverstock, was the son-in-law of writer Enid Blyton and the man who, in 1963, eventually gave the green light for 'Doctor Who' to move into production. CONTRIBUTORS Derek Hart - Presenter Cliff Michelmore - Contributor Alan Whicker - Contributor John Wyndham - Contributor Donald Baverstock - Producer

 
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