Review The Sensorites (1964)

Doctor Omega

Member: Rank 10
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Your thoughts and views on this Hartnell adventure....


The TARDIS arrives aboard a spaceship that has been captured by the Sensorites, a hearing-sensitive alien race. The Sensorites are dying, and the Doctor finds himself forced to investigate the origin of the mysterious illness. (Originally broadcast in six parts.)




On to the next story....


THE REIGN OF TERROR


https://www.imdforums.com/threads/the-reign-of-terror-1964.2334/


Back to the previous story....

THE AZTECS


https://www.imdforums.com/threads/the-aztecs-1964.2332/
 
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Doctor Omega

Member: Rank 10
For those that have not seen the documentary.....

The story of Peter R. Newman, the author of The Sensorites....

Peterrnewman.jpg

In the past nobody really knew anything about him, anybody Doctor Who related looking to find out about his life drew a blank. All that anybody knew was that he wrote a war film for Hammer in
1959 called Yesterday's Enemy and The Sensorites for Doctor Who in 1964 before disappearing off the face of the earth and that he died in 1975, which was just a bit before serious Doctor Who fandom began so there were no interviews or anything with him about his time writing for Doctor Who.

In the documentary they discover by looking through public records and tracking down his sister and niece that he was a pilot in Burma during WW2 and was captured by the Japanese although his sister and niece say that he got on quite well with the Japanese officer in charge. These experiences are what he based his script for his movie Yesterday's Enemy, which was quite controversial at the time because it was about a group of British soldiers who are cut off and who resort to committing war crimes against the Burmese people to find out the movements of the Japanese army. Despite being controversial it still recieved 4 BAFTA nominations. He attempted to write more films for Hammer but due to him being difficult to work with and him asking for too much money they stopped working with him.

He would take elements of his movie script (bad and good on both sides) and turn it into The Sensorites for Doctor Who. After that work as a writer dried up because he was suffering from writer's block. To make ends meet he got a job as a porter at the Tate Gallery, it was while working there where he suffered a fall and died in 1975.

In fact the best bit of the documentary is the heart-warming interview with his sister Vera who looks like she's well into her 90s or even older and clearly adored her brother. She seems genuinely thrilled that people are asking about her brother and his work 50 years after it was written.
It's not the greatest Doctor Who stories ever written but it's nice to end this on something positive. If you don't want to watch the story do yourself a favour and watch this lovely documentary instead.



Read more: http://www.musicbanter.com/thread-graveyard/74608-urbans-doctor-who-thing-14.html#ixzz4fxEctAl0
 
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Doctor Omega

Member: Rank 10
One of those stories that I keep meaning to re-watch properly, but never do.

If memory serves, it just seems to plod along. Perhaps six episodes is just too long for it?

There is a subplot where it threatens to do something interesting with Susan's telepathy, but this is never picked up on before or after with other stories.

The changing sash plot is a bit daft, as I recall.

Other than that, I can't remember much of it at all.

I really must give it another chance.
 

Gavin

Member: Rank 6
VIP
If memory serves, it just seems to plod along. Perhaps six episodes is just too long for it?
Unfortunately there were a few stories like that in the early years. The six episode stories were to enable the sets to be used for a reasonable time and allow time to create and plan the next one. Unfortunately the episode numbers were assigned to stories rather than identify which stories needed 6 episodes and which didn't.

There is a subplot where it threatens to do something interesting with Susan's telepathy, but this is never picked up on before or after with other stories.
Again an unfortunate side effect of the way the series was done back then. One writer had a great idea to enhance a character, but the next writer was generally working without much knowledge of what previous stories had done (unless they were watching the series, but even then writing would have been done somewhat in advance of that information being aired). I think a level of telepathy would have greatly enhanced Susan's character and the exploration of her developing talents might have provided opportunities for her to do other things than scream and sprain her ankle.
 
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